When I first started using the Soothe plug-in, I’ll admit to having mixed feelings. I liked what it did when I threw it on a vocal that was sounding a bit harsh, and I was also amazed at what it did to some nasty-sounding cymbals on a drum kit I was mixing. On both occasions, though, I didn’t really understand what it was doing! I didn’t have to change any of the parameters, and although I enjoyed the results, I do like to know what it is that something is contributing, so that I don’t become reliant on a mysterious tool — even if that tool does make mixing a bit easier. As I’ve spent a bit of time with Soothe, however, I’ve developed more of an understanding of, and appreciation for, just what a useful tool it can be.

Finnish company Oeksound say that Soothe started out as a vocal processing tool, and describe it as a “dynamic resonance suppressor for mid and high frequencies”. When mixing vocals, it can often be effective to ‘notch out’ a few specific frequencies with very narrow-bandwidth parametric EQ bands. Identifying areas of the sound that contain unpleasant resonances and removing them can introduce a smoothness to a vocal, and can also allow you to get a bit more heavy handed with tone-changing EQ or compression if required. Oeksound have developed an algorithm that can automatically identify these problem areas in a source and, rather than imposing fixed EQ, Soothe applies attenuation dynamically as and when it’s needed. Oeksound claim it has the potential to offer much more natural results than manual EQ or broader multiband compression. Quite how it is achieved remains slightly mysterious but it is, apparently, the result of seven years’ R&D, and employs a proprietary process that introduces minimal artifacts.

Just slapping the plug-in on a track often works surprisingly well, but after a brief look at the manual, you quickly begin to get a feel for how to use it in a more focused way. Soothe has a real-time graphical display that enables you to steer the processing more towards certain frequency regions, and has a master ‘depth’ control that governs the overall amount of ‘resonance suppression’ applied.

Soothe by oeksound is a Virtual Effect Audio Plugin. It functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin and an AAX Plugin. Apr 13, 2020  If you find yourself frequently dealing with harsh guitars or cymbals, Soothe can fix it in seconds! We'll be taking a look at a few other interesting uses as well. Finnish audio plug-in company. Makers of soothe dynamic resonance suppressor and spiff adaptive transient processor for VST, VST3, AU and AAX. De-esser typically works as two band compressor, the control signal is based on the overall level. Soothe works with unlimited amount of bands and the control signal is the point-likeness of the spesific frequency. So soothe will remove the whistling tone from s without affecting the noise-like components too much.

• Soothe 2 is a little more detailed and fine tuned. EDM people seem to prefer Gulfoss and Acoustic based people seem to like Oeksound. There was one up here but it was taken down within hours apparently.
• Sep 05, 2018  Oeksound Soothe 2 Plug-in - NAMM 2020 - Duration: 4:31. Sound On Sound magazine 10,259 views. Oeksound Spiff Adaptive Transient Processor Plug-in - Expert Review - Duration: 6:32.

Broadly speaking, it offers five bands of processing, with each band having separate controls for frequency, bandwidth and sensitivity. Two of the bands are tied to the top and bottom of the frequency range, while the remaining three bands you use to pinpoint areas that you want Soothe to target. Clicking on a band’s node in the graphical display and dragging it upwards tells Soothe to do more work in that region, while dragging a node downwards tells it to leave that frequency range alone. One simple way of using it, for example, would be to boost one of the bands to focus on the 4-7kHz region, to make it act somewhat like a traditional de-esser on a vocal. Additional global controls are also available for ‘sharpness’, which influences how narrow or broad Soothe should make its individual EQ cuts, and ‘selectivity’, which is an overall control for how fussy Soothe should be about identifying problem areas. Also worthy of mention are the overall wet/dry blend control for parallel-style processing and a ‘delta’ button that lets you hear just the frequencies the plug-in is suppressing.

It’s very easy to get up and running with Soothe, and initially, it can be very addictive — you have been warned. It can be an effort to remember that we don’t necessarily want everything in a mix to be nice and smooth-sounding! Its bread and butter is vocals, and a simple way of using it is as a ‘de-esser on steroids’. Quite often just inserting it on a vocal track lets it work its magic straight away, but as I’ve got a handle on the controls, I’ve found myself just giving it a little help by focusing on a particular area that I want to be targeted. I seem to find frequencies around 2kHz to be quite offensive on a number of sources, but also recognise that this range and just above is important for maintaining the clarity and diction of many voices. I found that using the control bands to create quite a narrow, focused region around 2kHz and a broader ‘de-essing’ region higher up gave me a winning combination on a number of singers. Often I use Soothe first in my vocal chain to remove anything unpleasant before compression or EQ, and then use just a touch of more traditional de-essing as the final stage.

Its usefulness is not exclusive to vocals by any means, and Soothe is also a great way of smoothing out drum overhead or spot cymbal mics that can have some unpleasant ringing effects from 4-5kHz and upwards. Acoustic guitars, with their squeaks and finger noises, can also be notoriously difficult to tackle post-recording, and Soothe could be a very powerful tool if you work with these a lot. I’ve also found good use on distorted electric guitars and even, on one occasion, on a whole mix. Like any advanced processor, it doesn’t always work, and it can sometimes be a little unclear why Soothe does or doesn’t benefit certain sources. Even once you’ve got to grips with the controls, Soothe retains a slightly mysterious quality, which some will embrace while others will feel a little wary of it. Oeksound offer a fully functioning trial of Soothe from their web site, but if you try it, I would recommend making sure you have the funds to then go and buy it, as it’s a very clever and powerful mix tool that can quickly become hard to work without.

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It has been designed to cut or boost transients with extreme detail. This keeps the rest of the signal intact and free from side effects. Effective on mouth noises, hard consonants, clicks and pops, it can also be used for example to soften the pick attack from a guitar recording while retaining the top end sheen. This allows you to bring elements to the front of a mix without increasing the RMS level, or to boost fundamentals from drums without additional boominess. At the oeksound soothe download time, the clearly laid out parameters oeksound soothe download you dig into the processing if the material requires it.

Introduction When I first started recording and mixing at home I was learning by making mistakes. I thought the most expensive mic was the best mic to use and that more mics were always better than less mics. I also purchased primarily cheap condenser mics that while very articulate also had the misfortune of being hyped in the higher frequencies which is compounded when you use the same mic again and again for overdubs.

My mixes were harsh and boxy. I would have loved a plugin like Soothe. It works by automatically detecting the resonances in the audio material and applying a reduction that matches the input signal.

A Closer Look Soothe achieves this resonance suppression in a similar way to a multiband compressor or an adaptive eq but instead of attenuating or boosting an entire frequency region using only a handful of frequency bands Soothe can create dozens of narrow, specific cuts based on each of its five bands. The layout has a fair amount of parameters but succeeds in a clear layout. The largest control, the depth knob controls the amplitude threshold of Soothe and because of this I find myself dialing it in the most.

More depth equals more attenuation of resonances. Below the depth control are the sharpness and selectivity controls. Sharpness controls the bandwidth Q of individual cuts and selectivity acts as a second fine tune threshold that determines how many of the resonance peaks will be attenuated within the range initially dialed in with the depth control.

These three controls have a symbiotic relationship in a similar way to how compression parameters, threshold and ratio work together. When one parameter is changed I find myself reaching for the other and back to the first in a cyclical pattern slowly zeroing in on the desired effect.

At the bottom of the first section of controls are parameters for stereo link percentage, oversampling, and resolution which controls how fast the attenuation engages. To the right of the primary controls are controls for each band as well as a graphic representation of the bands, the frequency spectrum, and the attenuation being applied to the signal.

Oeksound Soothe Vst

The wet parameter is great for dialing in an overly aggressive reduction and blending back in some of the original unprocessed signal. My biggest complaint about Soothe is how the bands are visually displayed in the spectrum analyzer. I cannot think of a better solution to this issue so it might just be something we have to get used to like the attack knob on a compressor. The individual bands when dragged up attenuate the signal.

When I do the same thing on an EQ it boosts the signal. Music producer, Mr. Bill just released a great walkthrough of the plugin with some useful applications and in his review mentions that it was counter to what he expected.

Who is Soothe for? Soothe is advertised as a tool for vocals and I assume the reasoning is twofold. Wide bandwidth cuts Q can reduce the body, presence, or air of the recording while a bunch of narrow bandwidth cuts can take a long time and always run the risk of resulting in an overly sterile sound. One useful application was to reduce the high hat that was dominating a live orchestral recording.

Oeksound Soothe Download Vst Download

With Soothe I was able to pinpoint the frequency range and reduce the intensity of the hats instead of compressing the range. The result sounded far more natural and was easier to dial in than a multi-band compressor. Another useful application was cleaning up an electric guitar track that was recorded in a horrible sounding room. After processing with Soothe the guitar was punchier and felt closer to me as a listener on the sound stage. I especially appreciated how fast it could be dialed in to reduce problematic frequencies in on-location recordings with tight budgets for mixing.

It would also be helpful for those starting out recording and mixing to help pinpoint problems in the space they are working with and as a partial solution to dealing with problematic spaces. Soothe is one more tool that is helping the bedroom producer close the gap between home recording and professional studio recording.

No Dongle Required. Online access required for initial activation. License valid for PC and Mac. For further info check out their site at Oeksound. Recently completed his M. You’ll find him at www. Follow Us On.

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Is your computer offline? Or are you experiencing problems with starting the trial from inside the plugin? You can request a trial license for soothe to your iLok account. soothe audio processor. soothe is our first release in the line of modern audio processors by oeksound. Originally designed as vocal processor, the plug-in gives you the perfect, in control, world class vocal sound you’ve been striving for, with unmatched ease. soothe. soothe is a spectral processor for suppressing resonances in the mid and high frequencies. It automatically detects the resonances in the audio material and applies a reduction that matches the input signal, saving you from having to manually notch the problematic frequencies.

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To download the presets for soothe, click here. On OS X, unzip your download to /Library/Application Support/oeksound/soothe/Presets; On Windows, unzip your. soothe has been released! download it here: serialfree.info downloads/. Make sure you have the latest version of the iLok License manager before.

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